Hi, I need help with essay on Post-moderlism 2009b ( Tompson/Guyton). Paper must be at least 750 words. Please, no plagiarized work!f integration of diverse elements to provide the user with stronger

Hi, I need help with essay on Post-moderlism 2009b ( Tompson/Guyton). Paper must be at least 750 words. Please, no plagiarized work!f integration of diverse elements to provide the user with stronger visual cues on the location, shape and characteristics of the virtual objects, and of the interactions between them and the real object. Additionally, the frames also ensured abstract expressionism. This gave an insight to representation and approach to the status of pure matter consisting of raw paint applied to canvas. Artists from Europe and United States attempted to identify the differences and the similarities between painted images and the one reproduced mechanically1.The only advancement achievement is coming up with the advancements and modifications in the newer paintings. It is not only through networks that painting owes it growth, but also exhibitions have come in so actively.“Lux Interior”, which was Jutta Koether’s piece or art, also gave a definite reaction on how painting visualized and gave a real meaning to the impact of networks in the works of artists. Furthermore, it also mentioned the very wide internet use in creating connections worldwide making the universe a global village, just by the use of Google machine through its Internet maps. In a different way, she gave an approach to the challenge by way of actualizing the behaviour of objects within a network or otherwise known as transitivity. expressing an action which passes over to an object.Nevertheless, transitive mode of painting arises from an achieved equilibrium from passages that are internal to a canvas. Included are mark-marking and the delineation of motifs and those that are external to it hence, covering the work’s location in space. It also leads to stand within various institutions, the relationship to the history of art in painting and the social makeup. Therefore, the structure of any piece of art painting is determined by the external conditions of its display and the reception that form its makeup. For instance, from paintings by Frank Stella right from 1958, a pattern based on size and

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